Iran Garcia Composer and Post Audio Supervisor
15 years experience 0 projects worked United States of America (USA)
Audio EditingAudio Post ProductionAudio RestorationMusic EditorMusical Composition

Iran Garcia – irangarciamusic@gmail.com

Film Composer 

Have composed music for Features, Video Games and Web Series. Pays high attention to detail and meeting deadlines is always top priority. Love working in teams to achieve common goal. Comfortable with timecode, frames, score prep, MIDI transcriptions, and studio troubleshooting.

Studio Supervisor

Coordinated and executed studio recording and editing sessions. Helped maintain a clean and professional studio environment for users and projects of all types. Supervised and troubleshooted recordings, mixing, and editing in all styles of music using a wide variety of hardware and software, i.e. analog preamps, hybrid boards and controllers, wide array of studio microphones , Pro Tools/HD, Logic, Digital Performer, Cubase, Sibelius & Finale. Score prepped and Conducted Ensembles of all sizes up to 52.

2018 || Chameleon, Directed by Georgi Martev || Film || Original Music
2018 ||
Girl in the Spider’s Web, Directed by Fede Alvarez || Film || Composer Assistant 2018 || Through the Blinds, Directed by Austin Anderson || Film || Original Music
2018 ||
Fatal Beauty, Directed by Joel Soisson || Film || Additional Music
2018 ||
The Great Alex Fisher, Directed by Javier Colon Rios || Film || Sound Editor, Rerecording Mixing.
2018 ||
King Ester, Directed by Dui Jarrod || Film || Sound Editor, Rerecording Mixing. 2018 || Aberdeen, Directed by Colton Van Til || Film || Sound Editor and Sound Design 2018 || Paradise, Death, Mars, Directed by Valentyn Korotkevych|| Film || Original Music 2018 || Inertia*, Directed by Ingrid Hoyos || Film || Original Music
2018 ||
Double Lines, Directed by Hsiao Ko Chou || Film || Original Music
2018 ||
Private Possessions, Directed by Gabriel Tyner || Film || Original Music
2018 ||
Palomitas, Directed by Sergi Vizcaino || Animated Film || Supervising Sound Editor and Rerecording Mixing
2018 ||
Faith and Avenge, London Symphonic Orchestra || London || Composed by
2017 ||
Jungle Chase, Budapest Art Orchestra || Hungary || Composed by
2017 ||
The Note, Budapest Art Orchestra || Hungary || Composed by
2017 ||
What Hump?, Woodwind Quartet Recording || Berklee College of Music || Composed by
2017 ||
Mono*, Directed by Al Benoit || Film || Rescoring Original Music
2017 ||
For Mum, Directed by Ross Dixon || Film || Original Music
2017 ||
Wanderlust LDT || YouTube Series || Original Music
2017 ||
Skomia || Video Game || Original Music
2017 ||
Answer, single by Steve Umculo || Engineered
2017 ||
Sonnet, Directed by Jeff Bomberger || Film || Original Music
2017 ||
Tea, Directed by Valentyn Korotkevych || Film || Original Music
2016 ||
UnNinished, Directed by JP Pacca || Film || Original Music
2015 ||
Match.kom*, Directed by Elizabeth Pierce || Film || Original Music

*

Film was nominated and won best Soundtrack in Award ceremony or Festival. 

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Team/Company:Iran Garcia Music
Available to work as a local in the following cities:Los Angeles
Homepage:www.irangarciamusic.com
LinkedIn Profile:https://www.linkedin.com/in/iran-garcia/
IMDb Profile :https://www.imdb.com/name/nm8123042/
My Clients:Colombia Pictures, Sony Pictures, Mar Vista Films.
Awards:Best Soundtrack in a Film (FilmFreeway - 2018) , Best Score in a Film ( CAIFF -2017)

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mycru profile:    https://mycru.io/u/iran-garcia/

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